Nick Kargel, Proprietor
What I love about my work is the blend of right- and left-brained thinking. To achieve an inspiring experience for an audience — be it scenery that transforms before your eyes, an environment that sweeps you away, or just a perfectly timed light cue in a musical number — takes not just artistic vision but a great deal of technical skill, precision and planning. I enjoy nothing more than turning a lot of hard work into a bit of magic. Fake magic. Which is my favorite kind.
I guess I got my start making movies with my dad’s video camera. My friends and I set up a studio in the basement, complete with curtains (bed sheets), props (laundry hamper as news desk), and lights (probably a code violation). By the fifth grade I was running the spotlight for school plays and never stopped doing technical theatre. While getting my degree in music education (CU Boulder) I worked at Macky Auditorium (the school’s road house) and the opera department’s scene shop. At those places I was lucky to have great mentors and to get an unofficial second major in production. After college I worked a mish-mash of carpenter, designer and technical director jobs until starting You Want What? Productions.
Like most small business owners, at You Want What? I mostly just sit in my office sipping scotch and smoking giant cigars. Which is what I call working with clients, designing our products, and developing the business. Outside that, I also design scenery and lighting for many theater and dance companies. I’ve received Colorado Theatre Guild Henry Award nominations for Best Lighting Design (Boulder’s Dinner Theatre’s Ragtime) and Best Scenic Design (Vintage Theatre’s A Streetcar Named Desire). I've even had the opportunity to production manage the Off-Broadway premier of Dot by Coleman Domingo, directed by Susan Stroman at The Vineyard Theatre, and I spent 10 weeks in Beijing (after a year of planning) as Production Supervisor for a Chinese-produced, 50,000 square foot immersive Peter Pan. Ask me about that sometime (preferably over a drink).
I have created my own job doing the work I love with colleagues and clients I respect. We should all be so lucky.
p.s. It was because of my wife, Emily's work that I got to attend the Tonys (pictured). Speaking of lucky.
Lara Monshaugen, Operations Manager
My undeniable passion for the art of stage scenery began with my first experiences in community theater as a small kiddo, where I not only performed on stage, but I also got my first taste of technical theater and set design. Two degrees and many years later, I still can’t seem to get enough!
I received my bachelor’s of art in theatrical design and technology from St. Edward’s University in Austin, TX, where I focused on set design with an emphasis in scenic art. After spending the beginning of my professional career in theaters around Texas and Colorado, I decided to go back to school and earned my MBA from the University of Colorado at Denver. I have worked as a scenic artist, designer, stage manager, props master, choreographer, visual and theater arts teacher, freelance muralist, even an escape room artist!--but now I am pleased to find myself doing more of that administrative work that supports the facilitation of the art.
You Want What? Productions has given me the rare opportunity to use my varied talents simultaneously on unique and challenging work that satisfies my ever wandering interests. From project management to administrative support, I love the many hats I get to wear for the many different roles I fill. I feel lucky to get to work in collaboration with such a talented team, where our work regularly brings new and exciting projects to our table and keeps me always on my toes–just the way I like it.
Joshua DeRuosi, Shop Foreman
My grandfather often emphasized the importance of keeping a young man’s hands occupied. From the moment I could hold a hammer he was teaching me how to drive nails in his small woodshop in Skippack, Pennsylvania. By the time I had a grasp on critical reasoning I was learning how to plan and execute a project to achieve a desired result. This was better than aimlessly fastening boards together, which he described as a waste of good wood. Once formed, habits are difficult to break and 20 years on I haven’t stopped working with my hands.
In high school I discovered technical theater and found it presented me with projects that were unique and creatively challenging. I took these interests with me to college where I studied scenic design and construction at Temple University. I received my Bachelor of the Arts and graduated into a Technical Director position at the Philadelphia Shakespeare Theatre. Since then I’ve worked in multiple production shops as a both TD and Carpenter, including the USAP’s carpentry shop at McMurdo Station. In that time I’ve learned that an effective shop is the result of good habits and a dedicated team that is able to learn and grow alongside each other.
I consider myself fortunate to be a part of the team at You Want What? Productions where I help manage a dynamic production space with a committed ensemble of tradespeople all working toward a common goal. Whether it’s a fully realized set for the stage, an immersive museum installation, or an engaging backdrop for a corporate presentation, I’m confident my team will make it a reality.